magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring… magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring…

magictransistor:

Juan Gatti. Ciencias Naturales. Anatomical Collage.

wow - I love complex imagery like this that you can spend a long time exploring…

alrealonmusique:

Thank you Leigh Wright for showcasing Alrealon Musique in the latest issue of Wyrd Daze Zine! 

http://wyrddaze.wordpress.com/2014/08/17/issue-8-showcase

There are several ways to access Issue 8 of Wyrd Daze:
As a stand alone product, including all multimedia content, for $5 

You can subscribe via Patreon for as little as $1, and all Patreon subscribers get access to the Wyrd Daze Patreon activity stream, with exclusive content. For more details and all Patreon subscription options.
http://www.patreon.com/wyrddaze

You can subscribe via the Wyrd Daze Gumroad shop.
https://gumroad.com/l/wyrddaze

or you can subscribe directly via Paypal

redefinemagazine:

Sam Songailo - Digital Wasteland (2014)
via REDEFINE magazine’s Sam Songailo Artist Interview: Sci-Fi Futures & Electronic Beats (Geometric Spaces 001)

rooms ~ redefinemagazine:

Sam Songailo - Digital Wasteland (2014)
via REDEFINE magazine’s Sam Songailo Artist Interview: Sci-Fi Futures & Electronic Beats (Geometric Spaces 001)

rooms ~ redefinemagazine:

Sam Songailo - Digital Wasteland (2014)
via REDEFINE magazine’s Sam Songailo Artist Interview: Sci-Fi Futures & Electronic Beats (Geometric Spaces 001)

rooms ~
wolftea:

Two tiny boxes of curiosity Will be making more of these for last thursday this month https://www.etsy.com/shop/Wolftea?ref=l2-shop-info-name

The wonderful curios of Wolftea… wolftea:

Two tiny boxes of curiosity Will be making more of these for last thursday this month https://www.etsy.com/shop/Wolftea?ref=l2-shop-info-name

The wonderful curios of Wolftea…

wolftea:

Two tiny boxes of curiosity 
Will be making more of these for last thursday this month 

https://www.etsy.com/shop/Wolftea?ref=l2-shop-info-name

The wonderful curios of Wolftea

red-lipstick:

Shin Taga (b. 1946, Hokkaido, Japan) - Yumesakai, 1985     Etchings

Marvelous transformation of the imagery from the Flammarion engraving…

(via 3liza)

sakrogoat:

Oleg Korolev

Oleg’s work is astounding, I implore you to look him up!

sakrogoat:

Santiago Caruso - Invocation

Ah yes, one of those kind of gatherings. Good times…

warrenellis:

tunder (1982) takeshi ito Esteban Arias

it’s 04:30 in the morning, and this was mesmerising…

cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.  
     -   Simon Schama’s Power of Art. Bernini

(via mcll)

The Ephemeral Man’s Swans Happening